Diamonds chocolate

A logo for a high-end suite hotel, offering boutique hospitality in the atmosphere of old Tel Aviv, located in Neve Tzedek. A place with history from old Tel Aviv, luxurious yet understated, in a special location on a street of artists and boutiques.

A project that Encompasses the dissonance between the object shown and the material used, which is violent and tough compared to the oft colored material.

The site showcases famous contemporary art works from around the world and provides information about the artists behind the scenes. It also features articles regarding issues in the art world, while trying to immerse the viewer in the exciting world of contemporary art.

Logo and branding to restaurant tunisian food

Wage Gap Simulation – Social Awareness Ad An advertisement that visualizes the gender wage gap in Israel, highlighting the inequality between men’s and women’s salaries through a clear, impactful concept.

SPOTIP is a platform designed for photographers seeking the perfect spot – near or far – to capture their next shot. The app helps users discover beautiful, photogenic locations, tailored to their interests through a smart search engine with category filters. Each location includes detailed info: recommended gear, time of day, and tips from other photographers who have already been there – along with sample photos for inspiration. Once users explore a location, they’re invited to contribute: share new places, upload their photos, and become part of a global photography community. A premium tier unlocks exclusive features: access to remote or restricted spots, offline saving, photography lectures, and advanced gear recommendations – all designed to help photographers capture the perfect moment, every time.

Baking Products being a very basic substance. I compared it to Art. Any being can make art, as any being can create something as basic from baking products. I chose the Bauhaus era. A time that was identified with basic colors and shapes, including the font that was identified and used at that time. Various products have added printed informative knowledge at this time. Vertical and Horizontal graphic art was common use during those years. The topography was all designed and based on these shapes. Each color represents a product with a different flavor and Each shape represents a family group. The shape changes its form as the product becomes more complex. My starting point was the Wheat, flour group. I branched out from that starting point creating a language.

A protest Begin with one human this is a catalog dealing with protests. the catalog is an introduction to the term "protest". The many different shades and layers this term contains. The catalog engages in a trial to see the many shades and layers of the word from the visual point of view. The colors that are bound together on the different billboards exposed in protests. The end focuses on the contrast between the individual as to the masses in a composition.

I made this site for abS object as part of an exercise at the company "wix".​ Avi is a designer and maker, working and living in Tel Aviv.  About a year ago he founded objects design brand abS_objects. All of abS objects are produced in a traditional artisan way and are hand made in Tel Aviv. Every object is slightly different, which makes every object one of a kind.

A New Model for Burial Rooted in Ancient Jewish Tradition Avnei Derech is a conceptual burial system based on the ancient Jewish practice of “gathering of bones” – a two-stage burial technique mentioned in biblical and historical sources, and widely practiced in communities such as Morocco. This project responds to a pressing issue: the increasing shortage of burial space in Israel. Existing solutions, like multi-level cemeteries, are expensive and spatially inefficient. In contrast, this method allows for up to 65 times more burial plots per dunam (1,000 sqm) without compromising religious law. The process includes: *Stage 1: Temporary burial (“subsidiary burial”) *Stage 2: After one year, the bones are respectfully transferred to a permanent stone or clay grave The design system I developed translates this spiritual, practical solution into a modern, respectful, and personal experience. Inspired by the terrazzo aesthetic – a material rooted in Israeli architecture – I created a series of modular, recycled-stone graves, each customizable in color, texture, density, and form. The graves are arranged in vertical structures, up to four stories high, forming an urban geometric landscape that is both solemn and poetic. A narrow slit between graves serves as a tray for small personal objects like flowers or stones. Viewed from above, the arrangement creates a powerful mosaic of remembrance. The system includes: -A catalog explaining the religious, practical, and emotional layers of the burial process -Modular grave designs with variations in shape, size, and material -A visual selection system for clients and families, enabling them to personalize the grave in alignment with Jewish law -A filing and registration system, including digital scan keys and physical models (1:23 and 1:1 scale) to preview the result Every material is sustainably sourced, easy to produce, and designed to last — because even in death, we can choose meaning, care, and connection to the land we came from. This project proposes a new vision of burial: one that honors tradition while embracing innovation, and offers comfort in form, material, and message — where stone becomes memory, and memory becomes peace.