Africa

SPOTIP is a platform designed for photographers seeking the perfect spot – near or far – to capture their next shot. The app helps users discover beautiful, photogenic locations, tailored to their interests through a smart search engine with category filters. Each location includes detailed info: recommended gear, time of day, and tips from other photographers who have already been there – along with sample photos for inspiration. Once users explore a location, they’re invited to contribute: share new places, upload their photos, and become part of a global photography community. A premium tier unlocks exclusive features: access to remote or restricted spots, offline saving, photography lectures, and advanced gear recommendations – all designed to help photographers capture the perfect moment, every time.

The Wix Help Center provides a wide range of resources to support users in building and managing their websites. The previous design had become outdated: cluttered, generic, and hard to navigate. Our goal was to rebrand the entire Help Center — restructuring the hierarchy, refreshing the look & feel, and aligning it with Wix’s evolving brand language.

I made this site for abS object as part of an exercise at the company "wix".​ Avi is a designer and maker, working and living in Tel Aviv.  About a year ago he founded objects design brand abS_objects. All of abS objects are produced in a traditional artisan way and are hand made in Tel Aviv. Every object is slightly different, which makes every object one of a kind.

A protest Begin with one human this is a catalog dealing with protests. the catalog is an introduction to the term "protest". The many different shades and layers this term contains. The catalog engages in a trial to see the many shades and layers of the word from the visual point of view. The colors that are bound together on the different billboards exposed in protests. The end focuses on the contrast between the individual as to the masses in a composition.

A collaborative project between Shenkar’s Fashion Design Department and the Sheba Medical Center’s Rehabilitation Department for war-injured soldiers. Twelve fashion students worked closely with twelve wounded soldiers, each with unique physical challenges and personal stories, to co-design adaptive, fashionable garments that promote independence and dignity in everyday life. The process was rooted in design thinking, with occupational therapists guiding the students to create solutions such as magnetic closures, garments compatible with medical braces, and custom features like pockets for white canes. Beyond aesthetics, the project explored how fashion can be a tool for healing, empowerment, and inclusion. Maia Arazi, Tamar Mani, Helen Sofrin // Shenkar; Esti Neuhar, occupational therapist// Sheba Medical Center; Dana dariel, Laura Zajdner // Wix.

Some of the logos that I made

Branding of "Gazoz Museum of Israeli culture" The colors used are of the Mediterranean sands, sea, and sun. I was inspired by the amount of stickers that vary, represent and express, the multitude of cultural connections in Israel. My design is based on the informative, somewhat boring and mundane side of the Museum in contrast of the sassy, unpretentious Israeli side that's glued on layers and layers of different views and expressive ideas. I chose a naked cement wall that in my view symbolizes true and hard israeliness.

A New Model for Burial Rooted in Ancient Jewish Tradition Avnei Derech is a conceptual burial system based on the ancient Jewish practice of “gathering of bones” – a two-stage burial technique mentioned in biblical and historical sources, and widely practiced in communities such as Morocco. This project responds to a pressing issue: the increasing shortage of burial space in Israel. Existing solutions, like multi-level cemeteries, are expensive and spatially inefficient. In contrast, this method allows for up to 65 times more burial plots per dunam (1,000 sqm) without compromising religious law. The process includes: *Stage 1: Temporary burial (“subsidiary burial”) *Stage 2: After one year, the bones are respectfully transferred to a permanent stone or clay grave The design system I developed translates this spiritual, practical solution into a modern, respectful, and personal experience. Inspired by the terrazzo aesthetic – a material rooted in Israeli architecture – I created a series of modular, recycled-stone graves, each customizable in color, texture, density, and form. The graves are arranged in vertical structures, up to four stories high, forming an urban geometric landscape that is both solemn and poetic. A narrow slit between graves serves as a tray for small personal objects like flowers or stones. Viewed from above, the arrangement creates a powerful mosaic of remembrance. The system includes: -A catalog explaining the religious, practical, and emotional layers of the burial process -Modular grave designs with variations in shape, size, and material -A visual selection system for clients and families, enabling them to personalize the grave in alignment with Jewish law -A filing and registration system, including digital scan keys and physical models (1:23 and 1:1 scale) to preview the result Every material is sustainably sourced, easy to produce, and designed to last — because even in death, we can choose meaning, care, and connection to the land we came from. This project proposes a new vision of burial: one that honors tradition while embracing innovation, and offers comfort in form, material, and message — where stone becomes memory, and memory becomes peace.

Clippy is a platform a social network that 's based on video realms and creates clips that personally coordinate word connections to videos.

The journey of chocolate, from seed to finished product, reminded me of the way rocks are formed over time. Both begin as raw materials from nature and transform into something refined, rich, and full of character. Inspired by this parallel, I designed a chocolate package that draws on geological textures and a desert-inspired color palette. The use of organic, abstract shapes reflects the wildness and unpredictability of natural formation processes. To give the packaging a postcard-like feel, I incorporated rock textures and added information about various global mines on the back – creating a sensory and narrative-rich unboxing experience that connects the product to the earth it came from.